St Edward's Chronicle Spring 2018

16 ST EDWARD’S CHRONICLE

Footloose By Neville Creed, Director of Cultural Activities

Audiences battled through snow and ice in March to enter the heart-warming world of last term’s major production: the dance musical Footloose . The vibrant rhythms and catchy melodies of this popular musical were delivered with dynamism and expertise by a cast of 40 and the icy blasts were soon forgotten. Whilst there were exceptional solo performances, the lasting impression is one of a superb ensemble performance. The stage was filled with large song and dance ensembles delivered with great precision and unanimity by the various combinations of performers. Lisa Elkins (Director and Dance Director) together with Dennis Victory (Choreographer) conjured epic dance sequences which captivated the capacity audiences whilst Alex Tester (Musical Director) and his band made sure that feet were tapping throughout. To be able to sing, dance and act as well as working as a team is a rare skill but one which seems to be common at St Edward’s. Will Monks (Ren) convinced the entire audience of the benefits of dancing and Lola Willcock (Ester) displayed wide-ranging skills. Selena Thompson (Ariel) beguiled her way into the hearts of all while Harry

Whattoff (Rev Shaw) sustained the element of serious drama until he too couldn’t resist the rhythmic drive. Katinka Hughes (Vi) sang with superb precision while Matthew Wilkins (Willard) provided well-timed comic elements. Sassy Hammersley (Rusty), Ayo Sule (Urleen) and Ruby Smith (Wendy) blended into a harmonious trio as well as delivering strong solos. Fergus Flory (Chuck) was a convincing bad boyfriend while Sebastian Williams cut a dash as Cowboy Bob. However, all these performances, although excellent, were only significant in the context of a unified cast working together to produce a performance of brilliance. Musicals are complicated and extensive support is needed. Lucy Baddeley and her team of wardrobe assistants provided a dazzling array of costumes; Rebecca Welburn with her team of stage managers delivered the technical aspects with great skill and John Paul with his group of lighting and sound designers gave the performers a professional edge. This will undoubtedly be remembered as a triumph and one of the best productions from a long line of excellent musicals performed at St Edward’s.